As you might have guessed, I am a bibliophile. I collect not only physical books but also lists of them: favorite books of various genres, books I recommend, books I'd like to read. At one point my Amazon Wish List fulfilled this last function. In some sense it still does. But over the last several years this Amazon list has grown far faster than I could possibly keep up with. It has been subdivided into various daughter lists, each of which now grows at a similarly impossible pace. It is no longer primarily a collection of titles I would like to own or even read any time soon; rather, it is home to various titles I would like to remember for various reasons, mostly because they come strongly recommended by authorities I trust (though, admittedly, often very diverse authorities).
Hoping that perhaps others could make use of this conglomeration, even if I can do so only rarely, I have decided to share these lists here, for your perusing pleasure, in several installments, beginning with foreign policy. I think you'll find them a far-flung bunch. Perhaps you'll see something of interest to you and pick it up. If you do, please, let me know what you thought. And if you've already read some of these titles, likewise, please, share a short review.
Military History, pre-1900. So vast is my interest in military history that I eventually had to bifurcate it. This list runs the gammut from the ancient world, through the medieval period, all the way to the likes of the American Civil War. It includes Michael Decker's The Byzantine Art of War, William Dalrymple's Return of a King: The Battle for Afghanistan, 1839-42, Robert Tonsetic's Special Operations in the American Revolution, and others.
Military History, 1900-present. This list is my natural intellectual home. My dissertation on the origins of Britain's Special Operations Executive (SOE) included discussions of conflicts in Europe, Africa, the Middle East, South Asia, and East Asia in the four decades preceding the Second World War and how lessons from those conflicts were applied by the Allies. This list covers similar ground. It's heavy on the Second World War and the British Empire in the 20th century (yes, including decolonization). It includes a look at the Polish-Soviet War, studies of the role of the US Navy in the Allied Intervention against the Bolsheviks and on the Yangtze in the 1930s, several works on Japan and its war in China, and a history of the Stauffenberg family, one member of which tried to assassinate Hitler (about whom I have written). Other intriguing reads on this list include David French's The British Way of Counter-Insurgency and an account of Karen rebels in Burma (for whom I have a soft spot). The list also includes works on the Global War on Terror.
Diplomacy & International Affairs. This list includes theoretical works (such as The Routledge Handbook of Religion and Security), books on historical case studies (including Foreign Affairs and the Founding Fathers and The Russo-Turkish War of 1877-1878 and the Treaty of Berlin), and biographies of both American and foreign statesmen (among them Castlereagh, T. E. Lawrence, and the little-known Frank McCoy). You'll see that, among other topics, I'm intrigued by Southeast Asia.
Intelligence. Much of this list's potential material is covered in the above categories, but it includes a few intriguing titles, some critical (e.g. The Human Factor: Inside the CIA's Dysfunctional Intelligence Culture), some historical (The Archaeologist Was a Spy), others decidedly non-Western (Intelligence Elsewhere: Spies and Espionage Outside the Anglosphere).
The Guild Review is a blog of art, culture, faith and politics. We seek understanding, not conformity.
Showing posts with label diplomacy. Show all posts
Showing posts with label diplomacy. Show all posts
Wednesday, July 16, 2014
Monday, December 24, 2012
Containing China - The Historical Analogy with Japan
The following commentary comes from William D. O'Neil via H-War:
The irony of the hand-wringing over "containment" of China is that we've been here before, only no one seems to be able to remember.
As early as the 1890s, widespread alarm was evident in the United States over the specter of Japanese expansionism. This was a mixture of raw ethnocentrism and cold strategic calculation. At the same time, being the kind of country it was (and largely remains) there was no great unity in American views, and many unhesitatingly supported Japan's economic and political ambitions.
Both the Roosevelt (TR) and Wilson Administrations pursued policies of appeasement, while simultaneously building up the navy. The real departure point was the Twenty-One Demands affair of 1915. In the early 1920s the political elites in both countries attempted to build a basis for cooperative relationships, but the rise of very strongly ethnocentric groups in both nations undercut these efforts. Nevertheless, Japan and the United States managed to maintain reasonably productive relationships at many levels during the 1920s, notwithstanding some rather nasty clashes in China, and the ill-will generated by the laws excluding Japanese from American life.
Unfortunately for Japan, the military services fell under the leadership of extremely ethnocentric officers, and the Great Depression undermined those who wanted to advance Japan by economic means. The military came to power, teamed with neoconservative civilians. Japan was in a cycle in which the ethnocentrists would precipitate some expansionist action they saw as essential to national security, the west would respond negatively (even if only symbolically so), and this would evoke fears of "encirclement" (i.e., containment) leading to further expansionism to break out of the "iron ring." Thus even though the anti-Japanese ethnocentrist elements in the west did not hold particularly strong political positions in the 1930s, a self-amplifying positive feedback loop was established and maintained.
Eventually it was the external forcing function of Nazi aggressive expansionism at the other end of Eurasia that tipped Japan into war with the west. It is very possible that matters would never have reached such a pass absent the predominately exogenous shocks of the Great Depression and European War. At the same time, these shocks need not have been fatal had the ethnocentric elements not gained such dominance over Japan.
Despite many changes, the overall sociopolitical constitution of the United States remains much as it has nearly always been. There are both ethnocentric and cosmopolitan elements and neither is likely to be able to establish long-term dominance in the control of the nation's affairs. The United States will thus continue to act somewhat erratically within bounds determined by a broad consensus on basic economic and strategic interests -- which do not in themselves dictate any fundamental conflict with China.
The Chinese system, with its narrow leadership base and lack of regular mechanisms for turnover of power, gives an illusion of a steady hand on policy. But it is even more vulnerable to ethnocentric capture than its Japanese counterpart of the 1920s. Even if this takes place, even if it occurring right now, it need not have effects as terrible as those of World War II, but it would run a very uncomfortably great danger of doing so. The seeming prospect that China is contemplating its own replay of the Tsinan (Jinan) Incident over the Senkakus is anything but reassuring.
Some have objected that no military conflict could eventuate because of the threat of nuclear weapons, but these are not the words of anyone who knows or reflects on history. Ever since humankind has been fighting wars, for at least 100,000 years and very probably longer, unlimited conflicts have always threatened and frequently enough resulted in the destruction of both of the combatant societies. History says very clearly that such a threat may dampen the risks of war but cannot eliminate them. Indeed, the very fact that it is apologists for China (which by any rational calculation would inevitably suffer far more severely in any nuclear exchange) who invariably raise the nuclear specter speaks eloquently of the limited (albeit very great) power of the threat of annihilation.
This post first appeared on Statecraft & Security.
Saturday, December 6, 2008
The Diplomacy of Brahms
I’ve enjoyed the recent reports of Condoleezza Rice playing the piano for the Queen of England in a chamber performance. It’s nice to see an American as important, influential, and busy as Rice, also be so “accomplished,” in Austen terms, with such an appreciation of music – and using it in the service of diplomacy, we might guess.
But the reports, intriguingly, also suggest that she favors Brahms as a composer, and certainly she played a Brahms quintet in this recital. Perhaps Brahms is the choice of pianists. As a non-pianist, I am rather at a loss. His sonatas and other chamber music for strings have never quite made sense to me. Only the second movement of his first sextet ever seemed to have a clear, unified meaning, possibly because, it being a theme and variations, he never goes far from the melody. (Here’s an impossible version of the piece – from Star Trek!) Ordinarily, in his symphonies and so forth, it seems Brahms presents, brilliantly, a wonderful, memorable melody but then begins layering harmonies, countermelodies, modulations, until all one experiences is a wash of saccharine sound that leaves you with no footing. There’s no substance, just sugar! Certainly his music always has a structure, but often, unless the listener studies theory, he won’t see it, he won’t experience it.
Perhaps that’s what he wants. Brahms is, after all, a romantic of the most quintessential sort, always exploring and revelling in emotions. George Bernard Shaw, in his usual way, put his disapproval of this method of expression rather bombastically: “The real Brahms is nothing more than a sentimental voluptuary… He is the most wanton of composers… Only his wantonness is not vicious; it is that of a great baby… rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.” And “Brahms is just like Tennyson, an extraordinary musician, with the brains of a third rate village policeman.”
I don’t know if the criticism of Tennyson was just – I leave that to the experts – but Shaw was hardly Brahms’ only critic. Tchaikovsky, his contemporary and fellow romantic, also denounced him as a “scoundrel” and “giftless.” Tchaikovsky’s music is also full of emotion, but it doesn’t have the same sweeping abandonment, near chaos, I associate with Brahms.
And yet something in his music must have put Brahms on the pedestal he held when he lived, and on which he still apparently exists, even in a most unromantic, skeptical society. Does that come through most clearly in his piano music? If Ms. Rice, and those who love him, would care to comment…
But the reports, intriguingly, also suggest that she favors Brahms as a composer, and certainly she played a Brahms quintet in this recital. Perhaps Brahms is the choice of pianists. As a non-pianist, I am rather at a loss. His sonatas and other chamber music for strings have never quite made sense to me. Only the second movement of his first sextet ever seemed to have a clear, unified meaning, possibly because, it being a theme and variations, he never goes far from the melody. (Here’s an impossible version of the piece – from Star Trek!) Ordinarily, in his symphonies and so forth, it seems Brahms presents, brilliantly, a wonderful, memorable melody but then begins layering harmonies, countermelodies, modulations, until all one experiences is a wash of saccharine sound that leaves you with no footing. There’s no substance, just sugar! Certainly his music always has a structure, but often, unless the listener studies theory, he won’t see it, he won’t experience it.
Perhaps that’s what he wants. Brahms is, after all, a romantic of the most quintessential sort, always exploring and revelling in emotions. George Bernard Shaw, in his usual way, put his disapproval of this method of expression rather bombastically: “The real Brahms is nothing more than a sentimental voluptuary… He is the most wanton of composers… Only his wantonness is not vicious; it is that of a great baby… rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.” And “Brahms is just like Tennyson, an extraordinary musician, with the brains of a third rate village policeman.”
I don’t know if the criticism of Tennyson was just – I leave that to the experts – but Shaw was hardly Brahms’ only critic. Tchaikovsky, his contemporary and fellow romantic, also denounced him as a “scoundrel” and “giftless.” Tchaikovsky’s music is also full of emotion, but it doesn’t have the same sweeping abandonment, near chaos, I associate with Brahms.
And yet something in his music must have put Brahms on the pedestal he held when he lived, and on which he still apparently exists, even in a most unromantic, skeptical society. Does that come through most clearly in his piano music? If Ms. Rice, and those who love him, would care to comment…
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