During World War II, Karol Wojtyła helped found the underground Rhapsodic Theater, believing that, so long as Polish culture existed, the Polish state could eventually stage a comeback against the Nazis (and subsequently Soviets). But without a culture, there would be no soul left to animate the body politic.
That got me thinking about the defining characteristics of cultures, ours in particular. One of the curious wrinkles is that the most important texts in one sense may not be the most valuable. A work with which people can engage - and I realize that engagement is culturally conditioned; different people interact with texts and one another in different ways, including dramatic performances, poetry readings, morning newspapers, sacred proclamations - may be more important than the intellectual insights of a particularly erudite, but inaccessible, text.
We come then to a thought experiment: If our own country were overrun by tyrants, which works would you preserve for the sake of preserving our particular form of civilization? And why?
A bit Fahrenheit 451, I'll admit. The one parameter I'd place is this: we might as well assume that the tyrants of this little scenario are either foolish enough to permit the Bible and the Declaration of Independence, or so thorough in their thuggery as to prove them untenable for salvaging. There's no point filling our list with obvious choices; I think unusual ones provide far more food for thought.
One problem I have in approaching this question is how to define civilization, our civilization. American civilization? Western civilization? Christendom? Which of these is the most serviceable category? To which do I feel the most connection? Which is most worth saving? After all, I have multiple identities. My Catholic faith does not fit neatly into my American nationality; indeed, for much of American history, many people would have said the two were at odds. My status as an Anglophone (and, yes, Anglophile) links me to a variety of countries around the globe, though America initially defined itself in opposition its Anglophonic cousins.
I have no easy answers to these conundrums, at least not today, though I do have a few texts to offer for discussion:
Homer, The Iliad. This work is foundational to Western literature for a good reason. It does not simply come before later works; it engages with a variety fundamental questions about pride, friendship, free will, heroism, and loss. Little surprise, then, that G. K. Chesterton commented that, "if the world becomes pagan and perishes, the last man left alive would do well to quote the Iliad and die." Or, as my friend Wondrous Pilgrim explained, "Hundreds of generations have read this and wept. Who am I to argue with them. (And I've wept as well!)."
Shakespeare. When considering the Bard's work, I must confess the inability to choose a single work, or even a single class of works. The histories exert a strong pull on me, not only because I love all things historical, but also because so many deal with questions of public life. But the comedies may prove just as insightful on this account - who would argue that The Tempest is not, among other things, about politics? - while also offering a lightheartedness that may be especially valuable in difficult times. Moreover, I think that drama offers two virtues worth mentioning. First, it is something one does. Whether one actually acts it out or simply reads it in a group, it invites a form of social participation beyond mere reading. Second, and related, drama invites discussion. The conversation over food and drink which follows a performance of Richard III or Julius Caesar may be some of the best civic discourse one can find.
Russell Kirk, Roots of American Order. In some ways, including this work is a cheat. Kirk surveys the origins of the American way of life, reaching from ancient Israel and Greece, through Rome, medieval Christendom, and the English liberal tradition, and on to the American Founding, all the way to Abraham Lincoln. Thus, in one vast sweep, this work encompasses the ideas and cultures of many other works which might appear on this list. At times I suspect Kirk indulges in a bit of wishful thinking, romantically claiming connections which are not quite so clear. But there is much to value in the history here surveyed, and even if America was not founded with all this in mind, modern Americans would do well to consider it.
G. K. Chesterton, The Everlasting Man. Doubtless, this work benefited from the fact that I recently re-read it. But Chesterton's survey of human civilization, from its earliest origins to the Christian age, a survey which greatly influenced C. S. Lewis, makes a number of important arguments regarding the place of religion in society. Moreover, Chesterton reminds us that civilizations can progress but also regress, a worthwhile caution. Most importantly, Chesterton points to the supernatural power of God, which can reanimate humanity in ways even the best of merely natural civilizations cannot. And he writes with a very enjoyable flourish.
Martin Luther King, Letter from Birmingham Jail. I have written about this letter before. I think it is worth including here for three reasons: (1) it gives a glimpse of America in the latter half of the 20th century, (2) it draws extensively on the Western intellectual tradition, demonstrating how it can be applied to contemporary issues, and (3) it encourages reflection on how the tools of faith and reason should be applied to political injustice, certainly a worthwhile topic in difficult times.
Walter Miller, Canticle for Leibowitz. This is another work I have praised elsewhere. Although a very different genre, like Letter from Birmingham Jail it invites consideration of how people of faith many carry on in difficult times. This novel of monks in post-apocalyptic America also raises important questions about how the remnants of civilization are preserved, suggesting that the work of preservation should be carried on even in the absence of tangible benefits, though preservation should never be assumed to be complete nor should it become an end in itself.
Suggestions for other inclusions?
The Guild Review is a blog of art, culture, faith and politics. We seek understanding, not conformity.
Saturday, February 8, 2014
Monday, January 20, 2014
MLK on the Treatment of Opponents
Last week one of my bosses encouraged all of his subordinates to read Martin Luther King Jr.'s "Letter from Birmingham Jail" today. I would encourage everyone to do the same. (Yes, even if you were one of my US history students. Read it again.) The letter is an exemplary work for a variety of reasons. It is a model of rhetoric, of political philosophy, and of Christian thinking. It engages with the Old and New Testaments, St. Augustine, the British legal tradition, the American political tradition, current European history, Martin Luther,John Bunyan, and the Jewish philosopher Martin Buber, to name a few. But today I would like to highlight the way King characterizes his opponents.
Here is the context: King has come to Birmingham at the invitation of local campaigners to fight the system of segregation there, a particularly egregious case. Having been jailed for his non-violent campaigning, King was criticized in an open letter by eight white pastors in the area, who accused him of being an outsider and asked that peace and order be maintained. "We are convinced that these demonstrations are unwise and untimely," they wrote.
King responded with a resounding defense of why he was in Birmingham and why the campaign and its methods were justified. But rather than reviling his critics as racists, cowards, or pawns of an unjust system, he called them his "Christian and Jewish brothers." King explained, "Seldom do I pause to answer criticism of my work and ideas.... But since I feel that you are men of genuine good will and that your criticisms are sincerely set forth, I want to try to answer your statement in what I hope will be patient and reasonable terms." He went on to agree with his critics when possible. "You are quite right in calling for negotiation.... You express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern." And he applauded their past efforts, though more limited than his own: "I am not unmindful of the fact that each of you has taken some significant stands on this issue." And he wished them all well: "I hope this letter finds you strong in the faith. I also hope that circumstances will soon make it possible for me to meet each of you, not as an integrationist or a civil-rights leader but as a fellow clergyman and a Christian brother."
Perhaps most strikingly, he considered the possibility that his analysis might be wrong: "If I have said anything in this letter that overstates the truth and indicates an unreasonable impatience, I beg you to forgive me. If I have said anything that understates the truth and indicates my having a patience that allows me to settle for anything less than brotherhood, I beg God to forgive me."
In our own day of bitter ideological divides, calls for bipartisanship are many. But I think they may, sometimes, miss a larger point which King implicitly makes. He extends the hand of peace to his critics because he genuinely believes in brotherhood, not compromise for its own sake. He does not call for a lukewarm moderation - indeed, he criticizes lukewarmness - but recognizes something inherent in all men, a dignity which demands that even when he disagrees, he need not be disagreeable.
Here is the context: King has come to Birmingham at the invitation of local campaigners to fight the system of segregation there, a particularly egregious case. Having been jailed for his non-violent campaigning, King was criticized in an open letter by eight white pastors in the area, who accused him of being an outsider and asked that peace and order be maintained. "We are convinced that these demonstrations are unwise and untimely," they wrote.
King responded with a resounding defense of why he was in Birmingham and why the campaign and its methods were justified. But rather than reviling his critics as racists, cowards, or pawns of an unjust system, he called them his "Christian and Jewish brothers." King explained, "Seldom do I pause to answer criticism of my work and ideas.... But since I feel that you are men of genuine good will and that your criticisms are sincerely set forth, I want to try to answer your statement in what I hope will be patient and reasonable terms." He went on to agree with his critics when possible. "You are quite right in calling for negotiation.... You express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern." And he applauded their past efforts, though more limited than his own: "I am not unmindful of the fact that each of you has taken some significant stands on this issue." And he wished them all well: "I hope this letter finds you strong in the faith. I also hope that circumstances will soon make it possible for me to meet each of you, not as an integrationist or a civil-rights leader but as a fellow clergyman and a Christian brother."
Perhaps most strikingly, he considered the possibility that his analysis might be wrong: "If I have said anything in this letter that overstates the truth and indicates an unreasonable impatience, I beg you to forgive me. If I have said anything that understates the truth and indicates my having a patience that allows me to settle for anything less than brotherhood, I beg God to forgive me."
In our own day of bitter ideological divides, calls for bipartisanship are many. But I think they may, sometimes, miss a larger point which King implicitly makes. He extends the hand of peace to his critics because he genuinely believes in brotherhood, not compromise for its own sake. He does not call for a lukewarm moderation - indeed, he criticizes lukewarmness - but recognizes something inherent in all men, a dignity which demands that even when he disagrees, he need not be disagreeable.
Saturday, January 11, 2014
Pope Francis on Capitalism
Below is the text of a letter I sent to the Catholic Virginian, in response to a letter about Pope Francis' comments on capitalism. The first letter was fair enough as a defense of capitalism against central planning, but made no reference to Catholic teaching on the matter.
Two final caveats may be in order. First, I initially intended to include mention of Leo XIII and Rerum Novarum, but figured the letter was already long enough and most contemporary Catholics would ask, "Leo who?" Second, I have not read Evangelii Gaudium in its entirety, nor do I profess to be knowledgeable of all Pope Francis' writings and deeds regarding all topics. But I am struck by how often both his critics and supporters paint him as novel, while on this - and a handful of other topics about which I know a little - he is well rooted in the tradition. The pope, Catholic? Who would have guessed?
Pope Francis' recent comments on capitalism fall well within the tradition of Catholic social teaching.
In his apostolic exhortation Evangelii Gaudium, he notes that "the current financial crisis... originated in a profound human crisis: the denial of the primacy of the human person! We have created new idols." He warns us of "ideologies which defend the absolute autonomy of the marketplace.... They reject the right of states, charged with vigilance for the common good, to exercise any form of control. A new tyranny is thus born."
John Paul II, in his encyclical Centesimus Annus, asked, "Is [capitalism] the model which ought to be proposed?" He explains: "The answer is obviously complex. If by 'capitalism' is meant an economic system which recognizes the fundamental and positive role of business, the market, private property and the resulting responsibility for the means of production, as well as free human creativity in the economic sector, then the answer is certainly in the affirmative.... But if by 'capitalism' is meant a system in which freedom in the economic sector is not circumscribed within a strong juridical framework which places it at the service of human freedom in its totality, and which sees it as a particular aspect of that freedom, the core of which is ethical and religious, then the reply is certainly negative."
This distinction is subtle but essential: the Church affirms a free market economy as a means of meeting human needs which accords with the dignity, autonomy, and responsibility of the individual. But the Church also insists that the economy must be subordinate to the moral law and that profit must never become an idol, something of greater importance than God or our fellow man.
Pope Francis simply follows the Second Vatican Council, which observed that "man is the source, the center, and the purpose of all economic and social life." The Council warned that "whatever insults human dignity, such as subhuman living conditions... as well as disgraceful working conditions, where men are treated as mere tools for profit, rather than as free and responsible persons; all these things and others of their like are infamies indeed." Likewise, the Catechism anticipates Pope Francis' critique: "A theory that makes profit the exclusive norm and ultimate end of economic activity is morally unacceptable. The disordered desire for money cannot but produce perverse effects." Or, as our Lord Himself succinctly put it: "You cannot serve God and mammon."
Two final caveats may be in order. First, I initially intended to include mention of Leo XIII and Rerum Novarum, but figured the letter was already long enough and most contemporary Catholics would ask, "Leo who?" Second, I have not read Evangelii Gaudium in its entirety, nor do I profess to be knowledgeable of all Pope Francis' writings and deeds regarding all topics. But I am struck by how often both his critics and supporters paint him as novel, while on this - and a handful of other topics about which I know a little - he is well rooted in the tradition. The pope, Catholic? Who would have guessed?
Monday, December 30, 2013
Yes, Virginia, There Is Metaphysics
Although most commemorations of the jolly old elf, at least in the US, are past, the Church continues to celebrate Christmas. In that spirit, I want to share a bit of text I am ashamed to say I only recently read: the 1897 editorial from the New York Sun which includes the famous line, "Yes, Virginia, there is a Santa Claus."
I recall, as a child, watching one of the films of the same name. I do not recall the precise age at which this occurred, but it was one of those awkward years of elementary school during which most of the students had come to discover the truth about Santa, but several children - frankly, the slower and more childish - still persisted in their belief. This placed teachers, administrators, and the unbelieving majority of students in the position of having to profess at least agnosticism, in spite of their own better knowledge. In such a climate, my young rationalist self found this film and its catch phrase a poor rearguard defense of ignorance, a blatant lie in the face of the evidence.
But a few weeks ago a Dominican student brother brought to my attention the actual text of the Sun editorial. It takes Santa as its ostensible subject, but is about much more. Specifically, it is a defense of the idea that there may be more than that which can be measured or physically identified. I find this terribly refreshing, particularly in an age which frequently indulges in a rationalist denial of all that is immaterial.
To be fair, this editorial offers an incomplete argument. As my wife points out, belief in things unseen, any and all manner of things, can be terribly dangerous. Such unseen objects of belief, in addition to being false, can be horrifically evil. Thus, let us not fall into the fideist belief that belief itself, irrespective of the essential truth of its object, is virtuous. Nevertheless, I think the editorial, now more than a century old, may offer some interesting opportunities to engage with our culture and raise important questions about the limits of our knowledge what lies behind the physical world.
We take pleasure in answering at once and thus prominently the communication below, expressing at the same time our great gratification that that its faithful author is numbered among the friends of The Sun.
"DEAR EDITOR: I am 8 years old.
"Some of my little friends say there is no Santa Claus.
"Papa says, 'If you see it in THE SUN it's so.'
"Please tell me the truth; is there a Santa Claus?
"VIRGINIA O'HANLON.
"115 WEST NINETY-FIFTH STREET."
VIRGINIA, your little friends are wrong. They have been affected by the skepticism of a skeptical age. They do not believe except they see. They think that nothing can be which is not comprehensible by their little minds. All minds, Virginia, whether they be men's or children's, are little. In this great universe of ours man is a mere insect, an ant, in his intellect, as compared with the boundless world about him, as measured by the intelligence capable of grasping the whole of truth and knowledge.
Yes, VIRGINIA, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus. It would be as dreary as if there were no VIRGINIAS. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight. The eternal light with which childhood fills the world would be extinguished.
Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that's no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.
You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah, VIRGINIA, in all this world there is nothing else real and abiding.
No Santa Claus! Thank God! he lives, and he lives forever. A thousand years from now, Virginia, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.
Wednesday, December 25, 2013
Peace on Earth
In December 1914, Pope Benedict XV called for a truce amid the bloodshed of the Great War, to offer some respite and "cease the clang of arms while Christendom celebrates the Feast of the World's Redemption." The governments of Europe refused.
But a curious thing happened: On Christmas day, hundreds of thousands of soldiers laid down their arms, climbed out of their trenches, and celebrated together. Songs were sung, small gifts exchanged. The recent dead were buried. Joint services were held to mark the holiday. Modern British Christmas traditions - such as Christmas trees and many carols - are German in origin, so the festivities naturally overcame linguistic barriers. In some sectors of the Western Front the truce lasted an entire week.
It is difficult to pin down what sparked this spontaneous celebration. Pope Benedict's appeal likely had little direct effect. The unofficial truce may simply have been the response of exhausted soldiers to the horrors of war. But many, perhaps most, of these men were Christians, of one denomination or another. It is striking that, in the midst of one of humanity's most terrible conflicts, in the midst of a conflict which nearly tore European civilization apart, in the midst of a conflict which no one seemed able to halt, grown men, surrounded by the carnage of death, paused to celebrate the birth of a little baby, the Prince of Peace.
Though "the nations protest and the peoples conspire in vain, [though] kings on earth rise up and princes plot together against the Lord and against His anointed one" (Psalm 2:1-2), may God, in His mercy, fill our hearts and our world with His peace this Christmas.
This image of soldiers from the 134th Saxon Regiment and the Royal Warwickshire Regiment together on St. Stephen's Day (26 December) 1914 comes from the Imperial War Museum's collection, via Wikipedia. If you have never visited the IWM, you should.
Wednesday, December 4, 2013
Learning Humility This Advent
Advent is an anticipatory season. It is generally joyful. Nevertheless, there is a penitential element to it, and this is quite logical, when one thinks about it. If Christ is coming - into our hearts and at the end of days - we should want to make ready His way. And that includes undertaking penance to purify our hearts and so prepare to receive him.
In that spirit, I would like to offer the Litany of Humility for Advent devotion. Composed by Rafael Cardinal Merry del Val, Cardinal Secretary of State under Pope Pius X, the litany focuses on letting go of ourselves and our ambitions, that Christ may fill us. Although the tone may sound more Lenten than Adventine - and indeed it may be - I think it works for this season. The middle section addresses our need to be delivered, in large measure from our own false desires; may our Deliverer come quickly! And the final section speaks to the way that a humble attitude toward ourselves can lead to a joyful concern for the well-being of others: "That others may be loved.... That others may become holier than I, provided that I may become as holy as I should." One who has learned to live these words has true joy and has indeed made room for the Holy One of God to dwell within.
The Litany of Humility
O Jesus! meek and humble of heart, Hear me.
From the desire of being esteemed, Deliver me, Jesus.
From the desire of being loved, Deliver me, Jesus.
From the desire of being extolled, Deliver me, Jesus.
From the desire of being honored, Deliver me, Jesus.
From the desire of being praised, Deliver me, Jesus.
From the desire of being preferred to others, Deliver me, Jesus.
From the desire of being consulted, Deliver me, Jesus.
From the desire of being approved, Deliver me, Jesus.
From the fear of being humiliated, Deliver me, Jesus.
From the fear of being despised, Deliver me, Jesus.
From the fear of suffering rebukes, Deliver me, Jesus.
From the fear of being calumniated, Deliver me, Jesus.
From the fear of being forgotten, Deliver me, Jesus.
From the fear of being ridiculed, Deliver me, Jesus.
From the fear of being wronged, Deliver me, Jesus.
From the fear of being suspected, Deliver me, Jesus.
That others may be loved more than I, Jesus, grant me the grace to desire it.
That others may be esteemed more than I, Jesus, grant me the grace to desire it.
That, in the opinion of the world, others may increase and I may decrease, Jesus, grant me the grace to desire it.
That others may be chosen and I set aside, Jesus, grant me the grace to desire it.
That others may be praised and I unnoticed, Jesus, grant me the grace to desire it.
That others may be preferred to me in everything, Jesus, grant me the grace to desire it.
That others may become holier than I, provided that I may become as holy as I should, Jesus, grant me the grace to desire it.
In that spirit, I would like to offer the Litany of Humility for Advent devotion. Composed by Rafael Cardinal Merry del Val, Cardinal Secretary of State under Pope Pius X, the litany focuses on letting go of ourselves and our ambitions, that Christ may fill us. Although the tone may sound more Lenten than Adventine - and indeed it may be - I think it works for this season. The middle section addresses our need to be delivered, in large measure from our own false desires; may our Deliverer come quickly! And the final section speaks to the way that a humble attitude toward ourselves can lead to a joyful concern for the well-being of others: "That others may be loved.... That others may become holier than I, provided that I may become as holy as I should." One who has learned to live these words has true joy and has indeed made room for the Holy One of God to dwell within.
The Litany of Humility
O Jesus! meek and humble of heart, Hear me.
From the desire of being esteemed, Deliver me, Jesus.
From the desire of being loved, Deliver me, Jesus.
From the desire of being extolled, Deliver me, Jesus.
From the desire of being honored, Deliver me, Jesus.
From the desire of being praised, Deliver me, Jesus.
From the desire of being preferred to others, Deliver me, Jesus.
From the desire of being consulted, Deliver me, Jesus.
From the desire of being approved, Deliver me, Jesus.
From the fear of being humiliated, Deliver me, Jesus.
From the fear of being despised, Deliver me, Jesus.
From the fear of suffering rebukes, Deliver me, Jesus.
From the fear of being calumniated, Deliver me, Jesus.
From the fear of being forgotten, Deliver me, Jesus.
From the fear of being ridiculed, Deliver me, Jesus.
From the fear of being wronged, Deliver me, Jesus.
From the fear of being suspected, Deliver me, Jesus.
That others may be loved more than I, Jesus, grant me the grace to desire it.
That others may be esteemed more than I, Jesus, grant me the grace to desire it.
That, in the opinion of the world, others may increase and I may decrease, Jesus, grant me the grace to desire it.
That others may be chosen and I set aside, Jesus, grant me the grace to desire it.
That others may be praised and I unnoticed, Jesus, grant me the grace to desire it.
That others may be preferred to me in everything, Jesus, grant me the grace to desire it.
That others may become holier than I, provided that I may become as holy as I should, Jesus, grant me the grace to desire it.
Wednesday, November 13, 2013
Tradition & Historical Consciousness: A Few Random Observations: Part Two
The question now becomes: Is it possible to revive a tradition and build something of lasting value while avoiding anachronism? If so, how? These have become ever more pressing questions since the 19th century, when the rise of modern historiography threatened to turn all fields of study into relativism.
A brief examination of two thinkers’ struggle with this problem will help us grasp it better. The first thinker is Friedrich Nietzsche. By education and training, Nietzsche was a classicist who concentrated on Greek history and literature. However, as he embarked on his professional career, he began to grapple with the problem that would occupy the rest of his troubled life: The modern rationalistic and scientific mind (which he ultimately traced back to Socrates in The Birth of Tragedy) had destroyed any kind of absolute value in the world by eliminating God. But, now that God was out of the picture, what point was there in living? What value could man find in life? What value could Nietzsche find in life? Nietzsche did not think that modern reason could tell man why he should want to live. This is the point of his famous aphorism in The Gay Science, in which the madman runs onto the marketplace in broad daylight holding a lantern, asking the burghers where God is now that they have killed Him. The death of God was not an occasion for joy but a reason for despair—unless man could find another source of value in this life. Nietzsche’s early dilemma, then, was that he had rejected the transcendent God of Christianity, the prior source of all value, as simply a form of “slave morality,” but had not yet found anything with which to replace Him.
Nietzsche’s solution to his dilemma—to be found even in his earlier, less iconoclastic and less stridently atheistic texts—is to make man into a creator of value. This was the Umwertung aller Werte he sought to bring about. The Dionysian ideal of The Birth of Tragedy is an early version of this idea of man as creator of value. In On the Use and Abuse of History for Life, he examines different viewpoints from which to write history, and he finds that the proper viewpoint is from the view of the great man who is capable of creating value. “You can only explain the past by what is highest in the present” (§ 6). “Thus, history is to be written by the man of experience and character. He who has not lived through something greater and nobler than others, will riot be able to explain anything great and noble in the past. The language of the past is always oracular: you will only understand if as builders of the future who know the present” (§ 6). These quotations, of course, can be read as meaning merely that the historian must himself possess a certain greatness of soul in order to understand the past; he must be on the same level as the men he is trying to interpret for the present. However, Nietzsche emphasizes less the traditional moral and intellectual virtues than the nebulous quality of creativeness; virtue is excellence in accord with a recognized standard, whereas creativity consists of creating that standard for oneself. It is in great part a rejection of the study of history.
In Thus Spake Zarathustra, though, Nietzsche takes the concept of the great man who can create values even further. In that book’s prologue, Nietzsche portrays Zarathustra as a mythical figure who during his time of solitude on the mountain has become so full of wisdom that he must now descend to his fellow man and unburden himself of the values he has created. (The idea of a man spending time on a mountain to grow in wisdom is a common trope in myths.) Most tellingly, among the people he meets, he recognizes a kindred spirit in the dying tightrope-walker, in the man who could dance above the abyss—one of Nietzsche’s favorite images of how the great man should live, as opposed to the “last men” Zarathustra meets down below. The tightrope-walker knows that he has nothing solid under his feet (no Grund) but a flimsy wire and through his own virtuosity and daring he turns something pointless like walking between two buildings into a work of art. He mocks death and the ultimate meaninglessness of his own act: his own creativity is the source of value. The myths handed down by the gods have no place in Nietzsche’s thought.
Nietzsche saw the problems created by the death of God and traditional values and by the rise of relativism, but ultimately decided to bury those values even deeper by turning the Dionysian self into the creator of value. History would no longer be a real standard for Nietzsche. Nietzsche’s respect for the Greek tradition, paradoxically, led him to reject tradition as a standard for behavior—the individual would judge history through his own creativity.
Our second thinker would agree with Nietzsche that there must be a standard by which to judge history and tradition, but his own position would be more humble. Rather than looking for the standard within himself, this thinker sought it in the teachings, in the tradition, of the Catholic Church. This second thinker is J.R.R. Tolkien. Tolkien shared with Nietzsche an intense passion for language and literature, though they worked in different fields. Instead of concentrating in Greek and Latin (which he had already mastered before university), Tolkien chose to dedicate his studies to Old and Middle English as well as several other medieval languages, such as Old Norse and Old Finnish. While he was a historical scholar of the first rank in his chosen field, he was also a tremendously imaginative author. Many of his works arose from his desire to fuse his literature and language studies with his studies of myth. As mentioned yesterday, it was Tolkien’s discussions of myth with C.S. Lewis that led the latter to convert to Christianity. In his incomplete poem The Fall of Arthur (which was only published in 2013), Tolkien tried give these legends a more English feel by adapting the alliterative system of Old English verse. The young Tolkien started on the myths that were published after his death as The Silmarillion as a way of practicing his invented languages. Even in his invented languages, he strove for historical verisimilitude. He developed different dialects of the same language and even extensive histories of each dialect, which he described in the appendices to The Return of the King. In his myths too he strove for historical verisimilitude. In The Lord of the Rings every story has a back story and every song has a legend behind it. In all his works Tolkien intertwines history and myth in every detail. He created a mythical world by means of historical consciousness in such a way that myth and historical consciousness were not in conflict inside that world.
It is this intertwining of myth and history in a common origin that is the essence of tradition for Tolkien. Tolkien depicts the very first act in the creation of Middle Earth, in The Silmarillion, as a series of harmonious melodies springing forth from the mind of the Creator. Soon, however, an evil spirit introduces dissonance into the melodies, which the Creator nevertheless finds a way to incorporate into his own music. The harmonious melodies are the basis of all our traditions; anything we can create is a reflection of this ideal, which, as Niggle finds out (in Leaf by Niggle), can only be realized with the help of God in the next life. However, in this life, in history, the artist must be fundamentally humble. His task is to reclaim the beauty of the original melodies, but his powers are limited: he can only engage in “sub-creation,” to use Tolkien’s term. God creates history; our task in history is to reclaim our principles: the Creator’s harmonies. At the beginning of history stands a myth, and in history we must reclaim this myth.
For Tolkien, then, any tradition—whether in art, literature, language—is a historical means by which we return to our origins. History by itself is not as important. Indeed, Tolkien called this life “a long defeat.” What matters is how we shape our tradition is to lead us to God, the foundation, the Grund, that Nietzsche tried to do without, but neither successfully nor happily.
Tolkien does not give us a blueprint for how to integrate tradition and historical consciousness. There just is no easy way to synthesize historical scholarship with a distinct literary sensibility. It takes a genius like Tolkien to achieve what he did. However, Tolkien did prove in his work that it was possible to use history to re-establish a connection to myth and tradition in the modern world and he showed us what such a synthesis could look like.
A brief examination of two thinkers’ struggle with this problem will help us grasp it better. The first thinker is Friedrich Nietzsche. By education and training, Nietzsche was a classicist who concentrated on Greek history and literature. However, as he embarked on his professional career, he began to grapple with the problem that would occupy the rest of his troubled life: The modern rationalistic and scientific mind (which he ultimately traced back to Socrates in The Birth of Tragedy) had destroyed any kind of absolute value in the world by eliminating God. But, now that God was out of the picture, what point was there in living? What value could man find in life? What value could Nietzsche find in life? Nietzsche did not think that modern reason could tell man why he should want to live. This is the point of his famous aphorism in The Gay Science, in which the madman runs onto the marketplace in broad daylight holding a lantern, asking the burghers where God is now that they have killed Him. The death of God was not an occasion for joy but a reason for despair—unless man could find another source of value in this life. Nietzsche’s early dilemma, then, was that he had rejected the transcendent God of Christianity, the prior source of all value, as simply a form of “slave morality,” but had not yet found anything with which to replace Him.
Nietzsche’s solution to his dilemma—to be found even in his earlier, less iconoclastic and less stridently atheistic texts—is to make man into a creator of value. This was the Umwertung aller Werte he sought to bring about. The Dionysian ideal of The Birth of Tragedy is an early version of this idea of man as creator of value. In On the Use and Abuse of History for Life, he examines different viewpoints from which to write history, and he finds that the proper viewpoint is from the view of the great man who is capable of creating value. “You can only explain the past by what is highest in the present” (§ 6). “Thus, history is to be written by the man of experience and character. He who has not lived through something greater and nobler than others, will riot be able to explain anything great and noble in the past. The language of the past is always oracular: you will only understand if as builders of the future who know the present” (§ 6). These quotations, of course, can be read as meaning merely that the historian must himself possess a certain greatness of soul in order to understand the past; he must be on the same level as the men he is trying to interpret for the present. However, Nietzsche emphasizes less the traditional moral and intellectual virtues than the nebulous quality of creativeness; virtue is excellence in accord with a recognized standard, whereas creativity consists of creating that standard for oneself. It is in great part a rejection of the study of history.
In Thus Spake Zarathustra, though, Nietzsche takes the concept of the great man who can create values even further. In that book’s prologue, Nietzsche portrays Zarathustra as a mythical figure who during his time of solitude on the mountain has become so full of wisdom that he must now descend to his fellow man and unburden himself of the values he has created. (The idea of a man spending time on a mountain to grow in wisdom is a common trope in myths.) Most tellingly, among the people he meets, he recognizes a kindred spirit in the dying tightrope-walker, in the man who could dance above the abyss—one of Nietzsche’s favorite images of how the great man should live, as opposed to the “last men” Zarathustra meets down below. The tightrope-walker knows that he has nothing solid under his feet (no Grund) but a flimsy wire and through his own virtuosity and daring he turns something pointless like walking between two buildings into a work of art. He mocks death and the ultimate meaninglessness of his own act: his own creativity is the source of value. The myths handed down by the gods have no place in Nietzsche’s thought.
Nietzsche saw the problems created by the death of God and traditional values and by the rise of relativism, but ultimately decided to bury those values even deeper by turning the Dionysian self into the creator of value. History would no longer be a real standard for Nietzsche. Nietzsche’s respect for the Greek tradition, paradoxically, led him to reject tradition as a standard for behavior—the individual would judge history through his own creativity.
Our second thinker would agree with Nietzsche that there must be a standard by which to judge history and tradition, but his own position would be more humble. Rather than looking for the standard within himself, this thinker sought it in the teachings, in the tradition, of the Catholic Church. This second thinker is J.R.R. Tolkien. Tolkien shared with Nietzsche an intense passion for language and literature, though they worked in different fields. Instead of concentrating in Greek and Latin (which he had already mastered before university), Tolkien chose to dedicate his studies to Old and Middle English as well as several other medieval languages, such as Old Norse and Old Finnish. While he was a historical scholar of the first rank in his chosen field, he was also a tremendously imaginative author. Many of his works arose from his desire to fuse his literature and language studies with his studies of myth. As mentioned yesterday, it was Tolkien’s discussions of myth with C.S. Lewis that led the latter to convert to Christianity. In his incomplete poem The Fall of Arthur (which was only published in 2013), Tolkien tried give these legends a more English feel by adapting the alliterative system of Old English verse. The young Tolkien started on the myths that were published after his death as The Silmarillion as a way of practicing his invented languages. Even in his invented languages, he strove for historical verisimilitude. He developed different dialects of the same language and even extensive histories of each dialect, which he described in the appendices to The Return of the King. In his myths too he strove for historical verisimilitude. In The Lord of the Rings every story has a back story and every song has a legend behind it. In all his works Tolkien intertwines history and myth in every detail. He created a mythical world by means of historical consciousness in such a way that myth and historical consciousness were not in conflict inside that world.
It is this intertwining of myth and history in a common origin that is the essence of tradition for Tolkien. Tolkien depicts the very first act in the creation of Middle Earth, in The Silmarillion, as a series of harmonious melodies springing forth from the mind of the Creator. Soon, however, an evil spirit introduces dissonance into the melodies, which the Creator nevertheless finds a way to incorporate into his own music. The harmonious melodies are the basis of all our traditions; anything we can create is a reflection of this ideal, which, as Niggle finds out (in Leaf by Niggle), can only be realized with the help of God in the next life. However, in this life, in history, the artist must be fundamentally humble. His task is to reclaim the beauty of the original melodies, but his powers are limited: he can only engage in “sub-creation,” to use Tolkien’s term. God creates history; our task in history is to reclaim our principles: the Creator’s harmonies. At the beginning of history stands a myth, and in history we must reclaim this myth.
For Tolkien, then, any tradition—whether in art, literature, language—is a historical means by which we return to our origins. History by itself is not as important. Indeed, Tolkien called this life “a long defeat.” What matters is how we shape our tradition is to lead us to God, the foundation, the Grund, that Nietzsche tried to do without, but neither successfully nor happily.
Tolkien does not give us a blueprint for how to integrate tradition and historical consciousness. There just is no easy way to synthesize historical scholarship with a distinct literary sensibility. It takes a genius like Tolkien to achieve what he did. However, Tolkien did prove in his work that it was possible to use history to re-establish a connection to myth and tradition in the modern world and he showed us what such a synthesis could look like.
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