An Excellent Flag: Crozet, Virginia

I have been known to complain about bad civic heraldry. But today I would like to praise a worthy example.

Crozet, VA is a small unincorporated town of around 6,000 people a few miles west of Charlottesville. It is named for Claudius Crozet, a French engineer who, among other things, served as the first president of the Virginia Military Institute. As the Crozet Gazette explains:

In 1996, looking for symbol for the Crozet community, the Crozet Community Association investigated the family heraldry of the town namesake. Three emblems for the name were discovered in old French heraldry books at the University of Virginia Library, but all were depicted in black and white. For one, the least complex coat-of-arms, there was a description of the emblem’s colors and therefore it was officially adopted by the CCA and stickers and a handful of flags were made. The colors are happily compatible with the American flag. The emblem dates from the 1300s.

This flag has all the attributes of a good flag or coat of arms: it is simple, clear, distinctive, historically grounded, and aesthetically pleasing. Thus, it comes as little surprise that, although Crozet is a small community, its flag is a fairly common sight in the back window of vehicles in the area. I can only hope that more communities follow Crozet's example of using well-designed heraldic symbols to foster civic pride.

Voices of Southern Dissent

I currently reside in Virginia.  I have a son who was born here.  But I struggle with the state's Southern identity, an identity which, for many, is bound up in the American Civil War and the experience of secession.  I don't mean to suggest that all Virginians are racist or that Southern pride is nothing more than support for slavery.  But, because the Confederate rebellion was a part of Virginia's history, many Virginians feel the need to support it or at least remain silent on the matter.  As someone opposed to the rebellion of the Southern states and their practice of slavery, I find this position problematic.

But I think it is worth mentioning that the South was not monolithicly pro-secession in the 19th century and thus need not make a pro-secessionist bent part of its identity today.

Consider, for example, the Loudoun Rangers, a cavalry unit raised in 1862 in northern Virginia, a unit which fought on behalf of the Union and tangled with Mosby's partisans.

Or let us consider Texas, a state which was my adoptive home for eight years.  Sam Houston, one of the founding fathers of the Republic of Texas, was elected governor in 1859.  Houston was no liberal humanitarian: although he enjoyed warm relations with the Cherokee Indians, he owned slaves and opposed abolitionist efforts to free them.  However, he saw secession as ill-advised and treasonous.  When a Texas convention voted for secession and subsequent accession to the Confederacy, Houston refused to recognize the moves, calling them illegal.  Houston was eventually removed from office for refusing to take the Confederate oath.  He explained:

Fellow-Citizens, in the name of your rights and liberties, which I believe have been trampled upon, I refuse to take this oath. In the name of the nationality of Texas, which has been betrayed by the Convention, I refuse to take this oath. In the name of the Constitution of Texas, I refuse to take this oath. In the name of my own conscience and manhood, which this Convention would degrade by dragging me before it, to pander to the malice of my enemies, I refuse to take this oath. I deny the power of this Convention to speak for Texas....I protest....against all the acts and doings of this convention and I declare them null and void.

This is the kind of political idealism - whatever the costs - that Southerners love.  It is also deeply Unionist.  Regarding the war to come, Houston proved himself more clear-sighted than his opponents:

Let me tell you what is coming. After the sacrifice of countless millions of treasure and hundreds of thousands of lives, you may win Southern independence if God be not against you, but I doubt it. I tell you that, while I believe with you in the doctrine of states rights, the North is determined to preserve this Union. They are not a fiery, impulsive people as you are, for they live in colder climates. But when they begin to move in a given direction, they move with the steady momentum and perseverance of a mighty avalanche; and what I fear is, they will overwhelm the South.

Houston and the men of the Loudoun Rangers were rare, but not unique.  North Texas was full of German and Czech settlers - some of them refugees from the revolutions of 1848 in Europe - who supported the Union.  West Virginia was so off-put by the war of secession it seceded from rebel Virginia.  In addition to the many African-American units raised from among the freed slaves of the South, white Unionist forces were also raised.  The 1st Alabama Cavalry was formed in 1862 by men who opposed secession - most from Alabama, but some from elsewhere, including Georgia.  The regiment fought in various campaigns and was present for the surrender of the rebel Army of Tennessee in 1865.  Arkansas raised eight white regiments and six colored regiments for the Union.  Similar units were raised in Louisiana and North Carolina.  Tennessee formed upwards of 30 regiments in the service of the Union.

I am looking forward to reading David Downing's A South Divided: Portraits of Dissent in the Confederacy.  This is a Southern legacy I may be able to embrace and teach to my children.


Quotations are from James l. Haley, Sam Houston, University of Oklahoma Press (2004), by way of the estimable Wikipedia, which also supplied the image.

A New Virginia State Flag

Regular readers will know that I have proposed new arms for both the City of Charlottesville and Albemarle County in Virginia.  Today I would like to make another, less modest proposal: a new state flag.

Virginia has the "standard" state flag: the state seal on a blue field.  This design has been panned by flag enthusiasts as the worst design we've got.  Every one of the ten worst flags in the North American Vexillological Association's ranking of state and provincial flags has this design.  Virginia came in 54th of 72.  (And one of those, Georgia, introduced a new flag since the poll, probably resulting in a jump ahead of Virginia.)  This is not simply a matter of vexillological snobbery or angling for a better ranking.  The whole point of a flag is to be identifiable.  If twenty states have basically the same flag, how can you tell them apart?  Virginia's state seal is more recognizable than some, but on a hazy day or at a distance the distinction is a modest one.

The basic design that I propose (above) has two layers of meaning.  The colors are drawn from the flags of Britain, from which so many of Virginia's first colonists came.  The horizontal bar recalls the Cross of St. George on the flag of England; the angled bars recall the Crosses of St. Andrew and St. Patrick, from the flags of Scotland and Ireland, respectively.  Alternatively, the shapes and colors may be read as an allegory for Virginia's history.  The bloodshed of the Revolution and Civil War (red) is now enfolded in the reign of peace (white) and Virginia, having passed through the trial of succession is bound once more by loyalty (blue) to the United States.  The shape of the stripes recalls the way people of many cultures and backgrounds have come together to form this state.  (If you say that the only thing this flag recalls for you is the flag of Iceland, I have no rebuttal except to say that I hear Icelanders are very nice people.)

Having sketched out the above design, I began to wonder if perhaps the state seal, representing the female figure of Virtus striking down Tyranny, might be incorporated.

I played around with a couple versions (see left) which incorporated these figures, as they exist on the arms of Virginia Army National Guard units (see, for example, the 276th Engineer Battalion).  But I was not entirely satisfied with these.

Finally, I settled upon the notion of placing the state seal, used on the current flag, at the junction of the angled and horizontal bars.  I must admit, I was rather pleased with the result:

Am I serious about the adoption of any of these flags for use in Virginia?  Well, sort of.  In all honesty I think them superior to the present one, but things should not be changed for light and transient causes and I do not know that a change would be worth the trouble.  I suppose I am a bit inspired by the little-known Kansas State Banner, a flag rarely used except by the Kansas National Guard, though co-equal in law with its better known counterpart and of much greater vexillological merit.

Tip o' the hat to Fix the Flags, a blog dedicated to creating better flags!  I only discovered it after drafting these, but Jack may have inspired me to work on more.

New Arms for Albemarle County, VA

Readers of this blog will know that I am interested in designing better heraldry for my local institutions in Virginia.  Today I would like to consider the Albemarle County seal.

The biggest shortcoming of the seal is that it is not readily identifiable from a distance.  While it includes symbols of the University of Virginia and the local countryside, as well as the state flower (dogwood) and the scales of justice, what is most obvious from any distance is the yellow border and yellow circle, with some blue/green things going on in between.  Most of the details are lost.

In place of this seal I offer the following mock-up of arms:

The blazon, the technical description, is: Argent, between a pall Azure three scallops Gules.

The blue Y-shaped design (called a pall in heraldry) represents the Rivanna River, whose North and South Forks come together in Albemarle County.  The three red shells are drawn, with reversed coloration, from the arms of the Earls of Albemarle, for whom the county is named.  Red and white represent the blood that was shed here during the War of Independence and the Civil War, and the peace which now reigns.  Red and white are also the heraldic colors of Sir Walter Raleigh, founder of the Colony of Virginia, while Thomas Jefferson, founder of the University of Virginia, used red, white, and blue, in his arms.

If one wanted to include elements of the current seal - e.g. the "Founded AD 1744" or the dogwood flowers - these might be incorporated onto a motto banner, a crest, or a compartment.

Creating Better Heraldry

My adopted city of Charlottesville, Virginia has a lame seal:

However, it turns out it has company.  Albemarle County, in which the city is located, also has a lame seal:

The University of Virginia, the most outstanding cultural institution in town, has a logo, not a seal or a coat of arms:

And even the Commonwealth of Virginia has a rather mediocre flag, ranked quite poorly on the North American Vexillological Association's survey:

So I'm on a quest to produce a better coat of arms for the City of Charlottesville.  There's plenty of source material, starting with the arms of the woman for whom Charlottesville is named, Charlotte of Mecklenburg-Strelitz, queen consort of King George III:

There are also the arms of the Earls of Albemarle, for whom the county is named:

Those looking for additional inspiration my consider the arms of Sir Walter Raleigh, founder of the colony (which are incorporated into the flag of the city which bears his name and appear on this historic map, though with sable instead of argent):

And also the old arms of the colony, derived from the British arms of the day, but also incorporating the cross of St. George:

Now, surely, dear readers, this is enough material to produce a classy seal or coat of arms which does not look like it was designed by an elementary school class.  I've got a few ideas, which I hope to post soon.  In the meantime, please share yours!

State Tartans

I've written before about issues of heritage, suggesting that our cuisine embodies our jumbled backgrounds as Americans, and arguing that - within certain bounds - we can choose our heritage, as I choose to identify with certain elements of Scottish history and certain British regiments.

Recently I stumbled upon a series of cultural artifacts which recalled this question of Americans, their sense of heritage, and the extent to which they can choose it.

A great many states have official tartans, and several more have unofficial ones.  My instinct for all manner of pomp, symbolism, and history is immediately attracted to such things.  But it also begs some questions: must one be of Scottish - or at least some permutation of Celtic - ancestry to wear a tartan?  Should a state have a substantial Scottish-American population before adopting such a tartan?  And when does one actually use such a tartan?  While I hold nothing against those men who wear kilts, I do not, and aside from the flannel shirts I wear on Saturdays, there aren't many opportunities for tartans.  (Or are there?  Do correct me, dear readers.  Perhaps a tartan flatcap?)

Below are a few state tartans of interest to our family, with blurbs stolen from the Scottish Registry of Tartans.

Commissioned by a joint committee of Arizona State's Scottish societies, this tartan was designed by Dr Phil Smith and proclaimed by Governor Symington in December 1995. Colours: green is for the forest that covers half the state; brown for the desert; azure for copper, white for silver; yellow for gold; red for the Native Americans and the red, white and green stripes for the Mexican population.

The unofficial Mississippi tartan has dark green for the never-ending forests of Pine and evergreen leaves of the Magnolia, light green for the lustrous leaves of the Great Southern Oaks, dark blue for the waters of the Mississippi River and the many lakes within the state, red for the color of the state flag and for the blood shed in Mississippi's past, white for the sands of the Gulf Coast and the cotton fields, and yellow for the heart of the Magnolia, the state flower.

The official state tartan of Louisiana was designed by Joe McD.Campbell in 2001. For use by all those with Louisiana affiliations. Blue for the sky, lakes, bayous, rivers and waterways, green for agriculture and forests, white for rice, sugar cane, cotton and the magnolias, black for petroleum and natural resources.

Designed by June Prescott McRoberts (1922-1999), proprietor of the 'Thistles & Bluebonnets' store in Salado, Texas. The tartan was adopted as the Sequicentennial Tartan and was officially adopted as the Texas State Tartan on 25th May 1989. The colors of the Texas Bluebonnet district tartan owe their selection to the bluebonnet flower, a member of the lupin family, which is widespread in many parts of Texas. The flower changes color with the passing of time, the 'brim' becoming flecked with wine red.

The Virginia Quadricentennial Tartan is the official state tartan of the Commonwealth of Virginia. It was designed in 2003 by David McGill and in 2005, during preparations for Jamestown 2007, which celebrated the 400th anniversary of the founding of the Colony of Virginia, it was selected as Virginia's tartan because the colors reflected those of the American dogwood, the Virginia state flower and tree.