Thanks to the
Financial Times I discovered the works of James Tissot (1836-1902). This Franco-British artist came from a background of textiles and ships, both of which feature in his works. His painting verges on the impressionistic, but remains a tad too literalist to bear that label.
Tissot was born into a devout Catholic family, drifted away from the faith and into a liaison with an Irish divorcee, and eventually underwent a re-conversion to the religion of his youth. His paintings display a vitality one might easily associate with either romantic liaison or sacramental reality, depending upon the circumstances.
Like so many of his contemporaries - from th
e Belgian Jan August Hendrik, Baron Leys (1815-1869) to the Anglo-Dutch Sir Lawrence Alma-Tadema (1836-1912) and the Turkish Osman Hamdi Bey (1842-1910) - Tissot tends to paint small groups of people in scenes which tell a story and take place in a setting which is itself a kind of secondary subject. But unlike Leys or Alma-Tadema, who painted extensively from history, Tissot focused on contemporary scenes, except late in his life when Biblical themes predominated.
I'll not go so far as to claim that Tissot is a genius, an artist for the ages. His works are charming, though probably not sublime. Still, I am glad for having stumbled upon them.
Today's images come from the ever-ready Wikipedia.
